Reach Art Visual
Pavilion 11 | A-12
Tel: (+995)555551171; (+995)555376386
E-mail: reachart.visual@gmail.com
Address : 5/12 Akundovi str, Tbilisi, 0105
Website: https://reachartvisual.com/
presented works
Gregor Daneliani
Portrait of a woman
Mixed technique on paper
30x21cm
1981
Emma Zar-Khutsi
Felt-tip Pen on Paper,
40 × 29 cm.
NOBU
SERIES OF DRAWINGS
Mixed media on paper
30x20cm
2025-2026
Lia Bagrationi
Ballet
Indian ink on paper (Sketch)
21 x 29.5 cm
1979
Kristine Tusiashvili
From the series “Eye of a Needle”
Handmade collage, digital print, paper
29X21cm
2026
Gregor Daneliani
Pen marker on paper
47x39cm
Emma Zar-Khutsi,
Pen on Paper,
29.5 × 23 cm,
1976.
Giorgi Shengelia
Untitled
Mixed media, acrylic, pencil, pastel, paper on canvas
100 × 80 cm
2025
Lia Bagrationi
Ballet
Indian ink on paper (Sketch)
21 x 29.5 cm
1979
NOBU
From the series ONE ROAD - MANY FRAGMENTS
Acrylic on canvas
200X150 cm
2026
Mari Babaevi
Zanāneh (Women’s Work / Made by Women)
Part of the Diploma work
graphic, pencil on paper
61X81 cm
2025
Gregor Daneliani
Color pencil on paper
60x45cm
Emma Zar-Khutsi
Nude
mixed media on paper,
85.5 × 61.5 cm.
Giorgi Shengelia
Untitled
Mixed media, acrylic, pencil, pastel on canvas
150 x 40 cm
2025
Lia Bagrationi
Head of a Woman with Two Cats
Ballpoint pen on paper (Sketch)
20 x 29 cm
1978
NOBU
From the series ONE ROAD - MANY FRAGMENTS
Acrylic on canvas
200X150 cm
2026
Mari Babaevi
Zanāneh (Women’s Work / Made by Women)
Part of the Diploma work
graphic, pencil on paper
61X81 cm
2025
Gregor Daneliani
Pen marker on paper
27x25cm
Kristine Tusiashvili
From the series “Eye of a Needle”
Handmade collage, digital print, paper
29X21cm
2026
Gregor Daneliani
Pen marker on paper
28x25cm
Lia Bagrationi
Untitled
Charcoal and sanguine on paper
20 x 29 cm
1984
NOBU
SERIES OF DRAWINGS
Mixed media on paper
30x20cm
2025-2026
Mari Babaevi
Zanāneh (Women’s Work / Made by Women)
Part of the Diploma work
graphic, pencil on paper
61X81 cm
2025
Lia Bagrationi
Oriane de Guermantes (Duchess of Guermantes)
Soft pastel and pencil on paper (Sketch)
20 x 29 cm
1992
Kristine Tusiashvili
From the series “Eye of a Needle”
Handmade collage, digital print, paper
29X21cm
2026
Gregor Daneliani
Self-portrait
Pen marker on paper
32x22cm
Lia Bagrationi
Flora
Ceramics
H 39 x W 42 x D 29 cm
2001
NOBU
SERIES OF DRAWINGS
Mixed media on paper
30x20cm
2025-2026
Mari Babaevi
Zanāneh (Women’s Work / Made by Women)
Part of the Diploma work
graphic, pencil on paper
61X81 cm
2025
Lia Bagrationi
Oriane de Guermantes (Duchess of Guermantes)
Soft pastel and pencil on paper (Sketch)
20 x 29 cm
1992
Kristine Tusiashvili
From the series “Eye of a Needle”
Handmade collage, digital print, paper
29X21cm
2026
Gregor Daneliani
Gouache on paper
54x37.5cm
Emma Zar-Khutsi
Tigers
felt-tip pen on paper, 30 × 40 cm, 1968.
NOBU
SERIES OF DRAWINGS
Mixed media on paper
30x20cm
2025-2026
Lia Bagrationi
Portrait of a Woman
Acrylic paint and oil pastel on cardboard
80 x 36 cm
2022
Kristine Tusiashvili
From the series “Eye of a Needle”
Handmade collage, digital print, paper
29X21cm
2026
Annotation
At the Tbilisi Art Fair 2026, Reach Art Visual presents two different sections: “Archive In Dialogue” and emerging and mid-career artists.
Archival presentation in dialogue with private collections, presents three artists: Emma Zar-Khutsi, Gregor Danelian, and Lia Bagrationi. The visual fabric of the exhibition reflects “artists dispersed” across time and space, united by a shared artistic sensitivity and expressive language. Particularly compelling is the way different national and cultural codes, generations, and forms of artistic expression converge within the context of contemporary Georgian art. The early and lesser-known works of Lia Bagrationi, Gregor Danelian’s Tbilisi-Armenian identity, and Emma Zar-Khutsi’s primitivist-feminist visual language seem to dissolve the boundary between the Soviet past and the contemporary Georgian art scene, as evidenced through the dialogue and cohesion created within the exhibition.
Emerging and mid-career artists
R.A.V. - Reach Art Visual presentation at TAF 2026 brings together emerg-
ing and mid-career artists whose practices explore abstract and experimen-
tal thinking through diverse methodologies and media, including graphics,
collage, and painting. The presentation highlights individual perception as a
unique mode of expression, where each artist develops a distinct visual lan-
guage and artistic approach.
Presented artists: Mari Babaevi, NOBU, Giorgi Shengelia, Kristine Tusiashvili.
artists presented
Biographies
Emma Zar-Khutsi
Emma Zarafishvili-Murzina, also known as Emma Zar-Khutsi (1940–2012), was born in the city of Yangiyul, Uzbekistan, and later lived in Tomsk. In the 1950s, she moved to Tbilisi, where she became part of a circle of Georgian artists. She worked as a model at the Tbilisi State Academy of Arts. Emma’s first husband was the Soviet book graphic artist Dimitri Zarafishvili, while her second husband was the painter Jemal Khutsishvili. For this reason, Emma Murzina is also referred to by the surnames Zarafishvili and Khutsishvili.
Emma Zar-Khutsi began painting in 1967 at the Senezh Creative House during a period of rest and artistic retreat. In 1969, her first solo exhibition was held at the House of Art Workers of Georgia. Her works are preserved in private collections across Georgia, Russia, and Germany. She was also the author of a collection of Russian-language poetry.
Emma Zar-Khutsi’s artistic practice, including both painting and graphic works, developed from the 1960s until her death. Stylistically, her work is associated with naïve art, primitivism, and outsider art.
Gregor Danelian
Gregor Danelian was born in 1950 in Tbilisi. In 1964, he graduated from the Tbilisi Art School, where he studied under Shota and Margarita Metreveli, whose own teachers included Alexander Bazhbeuk-Melikov, Eugene Lanceray, and Iosif Charlemagne.
In 1972, Danelian participated in the Republican Exhibition. In 1973, he graduated from the Yerevan State Institute of Fine Arts and Theatre. He initially studied industrial graphic design before transferring to the department of carpet and tapestry under Hakob Keshishian. Danelian held numerous solo exhibitions of his carpets and tapestries in both Tbilisi and Yerevan. From the 1970s onward, he was actively engaged in artistic processes and exhibitions. In 1988, a solo exhibition of his work was held at the House of Artists in Tbilisi.
Danelian’s artistic style evolved significantly across different decades. Between 1965 and 1975, his work explored expressionism, pop art (particularly collage), and monumentalism. During the 1970s and 1980s, he experimented with luchism, cubism, and metaphysical painting. From the 1980s until his death, he created mystical, esoteric, and meditative paintings, investigating themes such as irrationalism, the vibration of the soul, and light as an absolute. In these works, one can observe echoes of the Fantastic Realism associated with the Vienna School.
Lia Bagrationi
Lia Bagrationi is a Georgian multimedia artist whose practice examines questions of time, space, and material history. Working primarily with clay, alongside installations, textiles, paintings, and mixed media, she approaches each medium as a site for conceptual investigation. Clay, as her central material, functions as a carrier of memory, archaeological reference, and historical stratification elements that frequently inform the structure and language of her works.
Bagrationi graduated from the Tbilisi State Academy of Arts in 1980. She is a member of the International Academy of Ceramics (IAC) in Geneva. She currently serves as an associate professor in the Faculty of Design at the Tbilisi State Academy of Arts.
R.A.V. - Reach Art Visual presentation at TAF 2026 brings together emerging and mid-career artists whose practices explore abstract and experimental thinking through diverse methodologies and media, including graphics, collage, and painting.
The presentation highlights individual perception as a unique mode of expression, where each artist develops a distinct visual language and artistic approach.
Presented artists: Mari Babaevi, NOBU, Giorgi Shengelia, Kristine Tusiashvili.
Zanāneh (Women’s Work / Made by Women) - Mari Babaevi
This series of four drawings, developed as part of the artist’s diploma work, centers on the braid as a symbol of strength, identity, and collective memory. Through layering and repetition, the artist reflects on the silent labor of women, where the braid, much like a woven carpet, becomes a carrier of stories beyond words. The works evoke a fragile shelter shaped by ancestral presence, held together through intertwined forms even as the structure gradually dissolves.
About the artist
Mari Babaevi is a Georgian visual artist and designer of Azerbaijani descent. She graduated from the Faculty of Visual Arts, Architecture and Design at the Free University of Tbilisi and will continue her studies in Fashion Design at Polimoda, Florence from October 2025. Her multidisciplinary practice spans textiles, garments, and mixed media, reflecting on identity, memory, womanhood, and cultural duality rooted in her Georgian-Azerbaijani background. She has exhibited locally and internationally, with her solo show Sugar Cubes at Patara Gallery, and group shows including Untold Narratives at Tbilisi Art Fair, Too Many Dinner Parties at Fabrika, and a group exhibition at the Tbilisi Photography & Multimedia Museum. Her works have also been featured in VA[A]DS Book Design Shows and the Ad Black Sea International Festival. Her Diploma work was shown at AFA Art foundation Anagi. Recently, she has participated in group show “Cartography of Monochrome Feelings” initiated by unarchived semiotics and organized at AFA. Her works was successfully presented at Hessinki International Auction about Georgian Modern and Contemporary Art.
One Road, Many Fragments - NOBU
The series by emerging artist NOBU develops through a language of fragmented abstraction, where gesture, mark-making, and reduction become central expressive tools. Across the works, NOBU creates a tension between structure and instability: black vertical forms resemble barriers, traces, or architectural remnants, while vivid colorful accents interrupt the compositions with emotional intensity and immediacy. The recurring use of simplified symbols, broken typography, and layered surfaces suggests an intuitive process connected to memory, displacement, and coded personal narratives.Without constructing fixed meanings, NOBU operates with visual fragments as unfinished signals between language and image, silence and expression.
About artist
NOBU (1993) is the pseudonym of an emerging artist currently living and working abroad. After leaving Georgia, the artist began reflecting more deeply on childhood memories and questions of cultural identity. Working under the resonance of the Japanese word “Nobu” - associated with meanings such as trust, faith, and continuity, his practice balances an emotional attachment to Eastern sensibilities with an experimental visual language shaped by Western abstraction. For years, his works remained within private collections, while his current collaboration with Reach Art Visual marks his first public recognition.
Handmade collage - Eye of a Needle - Kristine Tusiashvili
Kristine Tusiashvili’s handmade collage Eye of a Needle reflects on the persistent structures of power, money, and fame that continue to shape contemporary society. Combining a colorful, symbolic, and referential visual language with echoes of Dadaist collage practices, the work reinterprets fragmentation and layered imagery through a contemporary perspective. Through an observational and introspective approach, the collage questions humanity’s ongoing desire for control and achievement, while revealing the fragile tension between ambition, illusion, and personal identity.
About artist
Kristine Tusiashvili (b. 1982, Tbilisi, Georgia) is a contemporary media artist working across video installation, photography, collage and performance. Her multidisciplinary practice explores themes of identity, memory, diversity, and cultural heritage through staged and conceptual visual narratives. Combining performative elements with digital manipulation, Tusiashvili constructs layered atmospheres that blur the boundaries between reality and imagination, often examining psychological and emotional states within contemporary society.
She studied Art Theory and History at the Tbilisi State Academy of Arts between 2000 and 2006 before continuing her artistic education in Germany. In 2008–2009, she attended guest studies in sculpture with Prof. Dr. Thomas Grünfeld at the Academy of Arts in Düsseldorf, and later completed a Master of Arts degree in Photography and Media at the University of Fine Arts (HBK) in Essen in 2015. Tusiashvili has presented numerous solo exhibitions and performances internationally, including Poetics of Perception (Tbilisi, 2024), aufblühen (BBK Kunstforum, Düsseldorf, 2024), Diverse Thinking (Ria Keburia Foundation, 2023), Something that is inside me (Novo Gallery, Tbilisi, 2022), and the ongoing performance series Walk for Freedom presented in Düsseldorf between 2019–2025. Her works have also been featured in group exhibitions and festivals across Georgia, Germany, the Netherlands, Poland, the United Kingdom, and Israel, including presentations at ART Düsseldorf, the Goethe Institute Georgia, NRW Forum Düsseldorf, Wiesbadener Fototage, Contemporary Art Space Batumi, and group show Self-portrait in Front of the Mirror, at the Dimitri Shevardnadze National Gallery in Tbilisi.
Experimental painting series “Untitled” - Giorgi Shengelia
The experimental mixed-media series by Giorgi Shengelia develops through a visual language of coded fragments, handwritten signs, erased surfaces, and abstract spatial structures. Combining drawing, painting, collage, and symbolic notation, the works operate between personal archive, mapping system, and intuitive gesture. Shengelia’s practice resists fixed narratives and instead constructs a field of unstable meanings where numbers, diagrams, textual traces, and minimalist forms become carriers of memory and everyday observation. The artist creates a contemporary abstract vocabulary that reflects on communication, digital traces, urban rhythm, and the fragile condition of perception within contemporary life.
About artist
Giorgi Shengelia (1984 ) independent photographer and artist. He graduated with a degree in Power Engineering and Telecommunications from the Georgian Technical University in 2006. Shortly thereafter, he relocated to Florence, Italy, with his family. It was during this period that he developed a growing interest in art and photography. In 2012, he began formal studies in photojournalism at the Fondazione Studio Marangoni. In recent years, he has become increasingly engaged in experimental painting practices. His artworks were successfully presented at Hessinki First International Auction about Georgian Modern and Contemporary Art In Tbilisi, Georgia.